Sometime during Willy's early adulthood, he meets and marries Linda. They live in Brooklyn and raise two sons, Biff and Happy. As a father, Willy Loman offers his sons terrible advice.
For example, this is what the old salesman tells teenage Biff about women:. This attitude is adopted all too well by his sons. During her son's teenage years, Linda notes that Biff is "too rough with the girls. Several times during the play, Happy promises that he is going to get married, but it is a flimsy lie that no one takes seriously.
Biff eventually develops a compulsion to steal things, and Willy condones the thievery. When Biff swipes a football from his coach's locker room, Willy doesn't discipline him about the theft. Instead, he laughs about the incident and says, "Coach'll probably congratulate you on your initiative! Above all things, Willy Loman believes that popularity and charisma will outdo hard work and innovation, and that rubs off on his sons.
Willy's actions are worse than his words. Throughout the play, Willy mentions his lonely life on the road. To alleviate his loneliness, he has an affair with a woman who works at one of his client's offices. While Willy and the nameless woman rendezvous in a Boston hotel, Biff pays his father a surprise visit. Once Biff realizes that his father is a "phony little fake," he becomes ashamed and distant.
His father is no longer his hero. After his role model falls from grace, Biff starts to drift from one job to the next, stealing petty things to rebel against authority figures.
Willy Loman belittles his industrious and intelligent neighbors, Charley and his son Bernard; he mocks both individuals when Biff is a high school football star. Read the ebook. Who Killed Willy Loman?
An Investigat Individuum und Gesellschaft in Death Investigation - eine Modifikation der Chaucer "Miller's Tale". Aspects of Time and Pace in Poe's Love or Hate? The Loman Family in Art Arthur Miller's "Death of a Miller, Arthur - Death of a Salesman The reception of the American Dream i Die dramatische Umsetzung des "T Die Darstellung innerer Konflikte und Open Document.
Essay Sample Check Writing Quality. He is now 61 years old and his job has been taken off salary and put on commission. Willy has many strong beliefs that he strives to achieve.
He wants to own his own business and he wants to be "bigger than Uncle Charley" and especially he wants to be a great success and he tries to emulate Dave Singleman. He wishes to die the "Death of a Salesman " and have many buyers and salesmen mourn for him. He also tries to be a good father, and husband. He got fired by Howard, his sons are both failures and they abandoned him in a restaurant toilet. His relationship with his wife is plagued by his guilt for committing adultery.
To a large extent this is true. To a normal person under normal circumstances, being retrenched is a time when you feel useless. Life is formless—its interconnections are cancelled by lapses of time, by events occurring in separate places, by the hiatus of memory. We live in the world made by man and the past. Art suggests or makes the interconnection palpable.
Form is the tension of these interconnections: man with man, man with the past and present environment. The drama at its best is a mass experience of this tension. At first, the Manny Newman encounter inspired in Miller only the intimation of a new, slashing sense of dramatic form. I came back. What happened? Did something happen, Willy? When, early in , Miller visited his cousin Abby Newman to talk about the blighted life of his late father, Miller himself had just such an epiphany.
So we could all work together. A business for the boys. A hopelessly distracted Manny was transformed into a man with a purpose: he had been trying to make a gift that would crown all those striving years; all those lies he told, all his imaginings and crazy exaggerations, even the almost military discipline he had laid on his boys, were in this instant given form and point. I suddenly understood him with my very blood. You sell the goods. You become the commodity.
Miller was not the first to dramatize the barbarity of American individualism; but, in a shift that signalled the changing cultural mood, he was the first to stage this spiritual battle of attrition as a journey to the interior of the American psyche.
The plays were subjective, poetic, symbolic; they made a myth of the self, not of social remedies. You have a deathly touch. People who succeed are loved because they exude some magical formula for fending off destruction, fending off death.
It wants to destroy them. You are beyond the blessing of God. That God rewards those who deserve it.
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